Look at the postcard and see the pulse of multifaceted life that springs forth in the city that screams to be seen. Make an individual of those who wander in the crowd, invisible, curbside like a line towards places, never addresses. Return to the postcard and be moved by the beauty, lightness, subtlety of the world.
Along the way, Marcos Labanca, a citizen, saw and intervened in part of the march of this Foz do Iguaçu, which is now 110 years old. As a professional photojournalist, he goes beyond the act of capturing facts. His lenses are memory, denunciation, and words. The unspeakable is interpreted through images without the need for words.
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In ten records that range from the exultantly beautiful to the salivating indignation, the everyday and the enchanted, Marcos Labanca promotes the encounter between the citizen and the photographer. The result is a tour of the Iguaçu landscape, scenarios and contradictions, possibilities of many Foz do Iguaçu thanks to the wanderings of the author's eye.
Among vehicles from international brands, the reality of Iguaçu. A worker on a motorcycle faces rain and flooded roads to get his delivery.
Chuá, life singing
Majestic and imposing, the waters of the Iguaçu Falls enchant people from all over the world and unite two countries on the border, Brazil and Argentina.
City seen by all
Bright lights in Foz do Iguaçu seen, contemplated, admired and praised.
City screams in plain sight
A companionable look invites us to think: could the city of some one day become the city of all?
Multiplying queues
The delayed delivery of mobility solutions causes queues and obstacles at the border when moving back and forth between countries.
Nature on the road that doubles
Felled trees exposed, making the storm of progress seem inevitable. A green specimen, standing, asking what example it leaves behind.
Clown nose
Art liberates and transports whenever the clown makes the big or small child that lives in the square of each being laugh.
Waterfall of the river that looks like the sea
Nature painted the stream that falls into the river that is the size of the sea as art. It is up to human action to remove the excess so as not to lose the work.
Paranazão of the “paranauês”
Silhouette of the river with many waters and stories, between banks that defy the formal treaties of governments, of men in their laws and states.
Memory, you have to have it
One of the oldest buildings in Foz do Iguaçu wants to be a museum, while its bricks defy time and public neglect.
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